The best international books that put a unique lens on gender and culture

As a graduate student, I picked up this book on gender and international relations, and there was no turning back; I now knew my domain!

I realized where I stood in the male-dominated discipline of international relations, where concerns of "Man, State, and the War" dominate. The often-overlooked frivolousness of domesticity is also a matter of international relations. This book asks: "Where are women?" as it explores the gendered aspects of everyday life, as often we women tend to ask, navigating through the alleys of personal and professional spaces.

Making feminist sense of international politics requires genuine curiosity about multi-layered women's lives: air hostesses, base women, diplomatic wives, factory and domestic workers, and more. After all, power takes a myriad of avatars; power, taste, attraction, and desire are not mutually exclusive.

The author says it best when remapping the boundaries of international and political, "We are not just acted upon; we are actors."

What do you see in a woman in the veil? Tragedy and oppression or liberation and empowerment?

This book is a comprehensive and holistic account of veiling beyond these binaries. It sees the practice of veiling beyond the spatiality and specificity of a religion. The chapters set veiling in the context of mythology, history, and regions, as well as explore the politics of it.

This inspired my critical thinking in studying the cultural practice of veiling in its diversity and local manifestation.

We all know that the oppressive structures of patriarchy are all-pervasive. But can we see "oppression" in black and white? Certainly not! 

Unless we put things in context and see through their nuances, the vicious Islamophobic tendency (subtly or not) comes into play, caricaturing Islam as the sole source of gender-based oppression. No doubt, the condemnation of Islam flows from prejudice and half-baked Orientalist assumptions surrounding the religion.

Leila Ahmed, a pioneering figure of Islamic feminism, hits hard at the stereotypes surrounding Islam and challenges them. I learned from her that Islam is anything but monolithic, especially from the perspective of gender. She devotes chapters on Egypt to link the percepts of Islam with colonial modernisation.

For academics like me, this book adds a dynamic perspective and opens the big picture. However, for even those bearing the burden of prejudice, I am sure this book will be educative.

What may be construed as violence is a matter of the vantage point and the politics of language (the language of culture vs. the language of the state) surrounding human rights. Rogers paints a unique parallel between female circumcision and torture from a psychoanalytic perspective.

Both entail bodily "mutilation" or disfiguration of a certain kind, yet they are treated differently in the discourses of human rights. The cut flesh of the circumcised woman becomes the sole bearer of the truth surrounding the "violative" cultural practice.

But, the act of state-sponsored torture perpetrated on the purported terrorists, who are imprisoned without a trial (e.g., the prisoners of Abu Gharib), escapes the landscape of human rights (why would you care for the rights of the terrorists?). After all, "sacred" is such flesh that is rendered legitimate in the fantasy of the sovereign nation-state!

This book is an eye-opener to me. It implies that rights do not ensure the same entitlement for all humans; violence is not equally reproachable across contexts. I can guarantee that this book will leave you thinking about human rights like never before!

This is a fiction book with deep roots in history. It touches on race in ways that international relations ignore. The question of gender and culture gets weaved in history as Effia and Esi's (two estranged sisters) stories are told and their journeys unfold generationally. At the end of the book, you will long for a "home" which you may truly call your own!

You may be curious how this fiction book shapes my worldview as a non-fiction and academic writer. To me, fiction is grounded in the multitude of emotions and experiences of reality. The art of storytelling tells us a million about how narratives are created and represented.